Contributors 2015

Geoff Cox

Geoff Cox is Associate Professor, Dept. of Communication and Culture, and Participatory IT Research Centre, Aarhus University (DK), and Adjunct faculty Transart Institute (DE/US). He is also an occasional artist/curator, and part of the self-institution Museum of Ordure. He is an editor for the DATA Browser book series (published by Autonomedia), and co-edited Economising Culture (2004), Engineering Culture (2005), Creating Insecurity (2009) and Disrupting Business (2013). He co-runs a yearly workshop/conference in collaboration with transmediale and is co-editor of the associated open access online journal APRJA. With Alex McLean, he wrote Speaking Code: coding as aesthetic and political expression (MIT Press 2013), and amongst other things is currently working on a book project about live coding.

CV can be found here

Some texts can be found at: https://au.academia.edu/GeoffCox

Tania Ruiz

Tania’s practice focuses on the visual arts, although previously she worked primarily in the film and video fields. She has exhibited her work internationally since 2000. The nature and use of the public space, first explored as a subject, gradually became central to Tania Ruiz’s artworks. Her art practice is therefore mainly focused on public places.  Among other temporary interventions, she created a luminous sculpture for the City of Vancouver in 2009. From 2006 to 2010 she created for Malmö Central station ‘Elsewhere’, the largest video-based European public art work. She is currently commissioned by the city of Orebro to create a video and web based public work. Tania Ruiz was born in Chile and educated mainly in Colombia and France. She is based in Paris where she follows in parallel an academic career as an associate professor of arts at St Denis University, Paris VIII.

REGINA DE MIGUEL 
lives and works in Berlin. Her work is research focussed and often refers to scientific methodology and interpretation. Her work has been shown recently in solo exhibitions including Ansible, Maisterravalbuena, Madrid, 2015; All knowledge is enveloped in darkness, Kunsthalle Sao Paulo, 2014;  Nouvelle Science Vague Fiction, General Public, Berlin, 2011 and  Altes Finanzamt, Berlin, 2010;  El aire aún no respirado, MUSAC, León, 2008. She has also exhibited in group shows as Hall of Half-Life, steirischer herbst festival gmbh, Graz, Austria, 2015;  Riddle of the Burial Grounds, Project Arts Centre, Dublin 2015; Unfolding Modernisms (for future thoughts), Invaliden Eins Galerie, Berlin, 2015;  What It Is To Come Has Already Arrived, MUSAC, León, 2015;  The Future Won’t Wait, La Capella, Barcelona, 2014;  Rencontres Internationales, Haus der Kulturen der Welt, Berlin and Palais de Tokyo, Paris, 2013;  Of Time & Place, Gasworks Londres, 2012;  Alrededor es imposible, Casa Encendida, Madrid, 2011;  Out of the black, Reh Kunst, Berlin, 2011.
She is a frequent participant in discussion groups and forums.

Sonia Fernández Pan

escribe a través del arte y comisaría exposiciones. De la escritura le interesa la posible autonomía del texto en relación a aquello de lo que habla y el cruce entre conocimiento teórico y experiencia subjetiva. De la exposición le interesa su potencial como proceso de investigación colectivo y de proximidad emocional. Frente a la noción del comisario como aquel que es experto sobre uno o varios temas y hace de ventrílocuo sobre las obras y los artistas, entiende la práctica comisarial desde una posición de fragilidad, tanto de los discursos como de los roles asumidos en el contexto del arte.

Es autora de esnorquel, un archivo online a través de podcast, conversaciones y textos, centrado en el contexto artístico de Barcelona. Escribe para diferentes medios, artistas y publicaciones. Ha comisariado F de Ficción (Barcelona), El Futuro no Espera (Barcelona) y Microfísica del Dibujo (A Coruña). Es editora del libro de entrevistas A Brief History of the Future . Actualmente prepara el programa de intervenciones artísticas Diógenes sin complejo, para el Arxiu Dossiers del centro de producción artística Hangar en Barcelona.

 

Carles Sora

Lecturer of Digital Media at Universitat Pompeu Fabra and researcher in the DigiDoc research group, where he is finishing his PhD in Digital Temporalities. He holds a master’s degree in Cognitive Systems and Interactive Media (2009), a B.S. in Multimedia (2005), and completed postgraduate studies in Digital Humanities (School of Arts, Oporto, and IRCAM, Paris). He coordinated Artfutura festival, was founder of an interactive exhibition studio, and directed a postgraduate programme in Digital Theatre. He has directed interactive museum and theatre projects that he has presented at international conferences, festivals and academic forums. He has participated in several R+D founded projects as well as in a Spanish government research project.

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